Dancing Moons Festival 2025 – Angel Island Project

Phil Chan, a ‘21/’22 Visiting Scholar at the A/P/A Institute at NYU and the Manhattan School of Music’s ‘21’/’22 Citizen Artist, is a graduate of Carleton College and an alumnus of the Ailey School. As a writer, he served as the Executive Editor for FLATT Magazine and contributed to Dance Europe Magazine, Dance Magazine, Dance Business Weekly, and the Huffington Post. He was the founding General Manager of the Buck Hill Skytop Music Festival, and was the General Manager for Armitage Gone! Dance. He served multiple years on the National Endowment for the Arts dance panel and the Jadin Wong Award panel presented by the Asian American Arts Alliance. He serves on the International Council for the Parsons Dance Company, the Advisory Board of Dance Magazine, and was a 2020 New York Public Library Jerome Robbins Dance Division Research Fellow. He was just named a Next 50 arts leader by the Kennedy Center and is the co-founder of Final Bow for Yellowface.

Feng Ye is a “National First-Class Dancer” in China. She was a seasoned professional, serving as Artistic Director and President of the dance company in the China National Song and Dance Troupe. As performer, choreographer, and artistic director, her works were presented in the Olympic opening & closing ceremonies three times in 2004, 2008, 2014 respectively. In the South Bay Area, Feng Ye launched the Feng Ye Dance Studio and Feng Ye Dance Troupe and successfully produced and performed a grand annual gala
entitled “ENCOUNTER” at the San Jose Art Center Montgomery Theater in 2018 and “DANCE WITH NATURE” at the Cowell Theater in San Francisco in 2019. For three consecutive years, the Feng Ye Dance Troupe was selected as the only representative of Chinese dance to participate in the San Francisco Ethnic Dance Festival. Feng Ye has emerged as an important figure in the region, promoting the integration of dance cultures from multiple ethnic groups.

Elaine Kudo raised in New York City, received her early ballet training at the Metropolitan Opera Ballet School, later spent six years at the School of American Ballet and was a scholarship student at the American Ballet Theatre School.

Ms. Kudo was a member of American Ballet Theatre from 1975 – 1989 was promoted to soloist in 1981. She danced soloist and principal roles in a wide range of works mostly in the contemporary repertory. She has had the honor of working with choreographers Anthony Tudor, Jerome Robbins, Glen Tetley, Merce Cunningham, Paul Taylor, Eugene Loring and Sir. Kenneth MacMillan on featured roles in their ballets, and has had roles created for her by Twyla Tharp, Lynn Taylor-Corbett, Chu San Gogh, and David Gordon.

In 1982 Ms. Kudo along with other members of ABT performed at the Spoleto Festival in Italy in a group assembled to recreate the Jerome Robbins Company Ballet USA. She also toured extensively during the summer seasons as a member of Baryshnikov & Co. from 1983 – 1986, and was Mr. Baryshnikov’s partner in “Sinatra Suite” and “Push Comes to Shove” in the PBS Great Performances special “Baryshnikov by Tharp”. In 1987 – 88 she joined the Tharp Dance Co. for a national tour and tour of Australia and New Zealand.

Directly after her retirement from the stage in 1990 Ms, Kudo began staging the works of Twyla Tharp, both nationally and abroad, with eight pieces in rotation, she continues to be one of the primary stagers of Tharp repertory.

Ms. Kudo assumed the position of ballet master for the New Jersey Ballet 1994-97 & American Repertory Ballet 1997-2003. Most recently the Washington Ballet from 2011 – 2020.

She with partner Buddy Balough founded and directed Theatre Arts Dance America – located in Verona NJ.  from 1997 through 20I0. In addition to teaching at TADA, Ms. Kudo has served on the faculty of the American Ballet Theatre summer intensive program from 1998 – 2003, Ballet Tech, Jacob’s Pillow – Contemporary Traditions in July 2007 as well as guest teacher at Princeton Ballet School and Steps on Broadway in 2011.

Ms. Kudo was given her first opportunity to choreograph at the New Jersey Ballet in 1997. That piece was later staged at the Carolina Ballet for its inaugural season in 1999. She choreographed four ballets for the American Repertory Ballet during her tenure as ballet master. One for director Septime Webre, three as part of director Graham Lustigs’, Dancing Through the Ceiling project designed to promote women choreographers. In addition to these works for professional companies she has choreographed a number of solos for her students receiving a choreography award from the Youth America Grand Prix. She has also contributed three ballets for the ABT summer intensive program and five pieces for TWB summer intensive as well as numerous pieces and a Pas de Duex for Theatre Arts Dance America.