Phil Chan, a ‘21/’22 Visiting Scholar at the A/P/A Institute at NYU and the Manhattan School of Music’s ‘21’/’22 Citizen Artist, is a graduate of
Carleton College and an alumnus of the Ailey School. As a writer, he served as the Executive Editor for FLATT Magazine and contributed to Dance Europe Magazine, Dance Magazine, Dance Business Weekly, and the Huffington Post. He was the founding General Manager of the Buck Hill Skytop Music Festival, and was the General Manager for Armitage Gone! Dance. He served multiple years on the National Endowment for the Arts dance panel and the Jadin Wong Award panel presented by the Asian American Arts Alliance. He serves on the International Council for the Parsons Dance Company, the Advisory Board of Dance Magazine, and was a 2020 New York Public Library Jerome Robbins Dance Division Research Fellow. He was just named a Next 50 arts leader by the Kennedy Center and is the co-founder of Final Bow for Yellowface.

Lawrence Chen (he/him) grew up in Southern California, studying ballet, contemporary, and hip-hop under the care of Victor and Tatiana Kasatsky and their faculty from the age of thirteen. He went on to compete in the YAGP, placing in the Top 12 Pas De Deux in the New York Finals of 2014 as well as in the Top 3 soloist at regional venues for several years. At Pomona College, Lawrence obtained a BA in chemistry with mathematics, took on collegiate ballroom, and performed as a principal dancer for the Inland Pacific Ballet under the watchful eye of Victoria Koenig. In addition to dancing with the Oakland Ballet Company, Lawrence teaches ballet and tutors high school STEM subjects. At OBC, he has performed as the deer dancer in Graham Lustig’s Luna Mexicana and in the title role of The Nutcracker. Lawrence has also been featured in new works by choreographers Caili Quan, Megan and Shannon Kurashige, and Phil Chan, a co-founder of Final Bow for Yellowface. This is Lawrence’s third full season with the Oakland Ballet.

Seyong Kim, an Assistant Professor of Dance at Western Michigan University (Kalamazoo, MI), holds an MA in Dance Education from NYU Steinhardt and an MA in Dance from Sung-Kyun-Kwan University (Seoul, South Korea). He is a CMA (Certified Movement Analyst) from Laban/Bartenieff Institute of Movement Studies, a RSDE (Registered Somatic Dance Educator), and a PBT (Progressing Ballet Technique) Certified Teacher. Seyong is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Primary through Level 7 of the American Ballet Theatre’s National Training Curriculum. Furthermore, he earned the Diversity and Inclusion Certificate from Cornell University.  

Seyong has taught for Rutgers University, Kent State University, The University of Georgia, Randolph College, Palm Beach Atlantic University, Peridance, Steps On Broadway, Texas A&M International University, Libera University in Italy, World Dance Alliance-America (WDAA), American College Dance Association (ACDA), Eisenhower Dance Detroit, Blue Lake Fine Arts Camp, National High School Dance Festival, Alabama Dance Festival, Nai-Ni Chen Dance Company, Dance Now! Miami, West Hawaii Dance Theatre, Charlottesville Ballet, and Grand Rapids Ballet.  

Seyong’s research interest is to explore Inter/Multi/Trans-cultural perspectives in dance and his research was invited to present at European Association for Laban/Bartenieff Movement Studies Conference (Loheland, Germany), Indonesia University of Education International Conference (Bandung, West Java), Hawaii University International Conference  (Honolulu, Hawaii), and The Society of Korean Dance Studies International Symposium (Seoul, South Korea). 

As a professional dancer, Seyong has danced with the Metropolitan Opera at Lincoln Center, Albania National Ballet Theatre, Baltimore Ballet, Traverse City Dance Project, Neglia Ballet, TAKE Dance, and Oakland Ballet Company. In addition, his choreographic works have been internationally invited at Landestheater Coburg in Germany, Florence Dance on Screen Festival in Italy, International Contemporary Dance Festival of Mexico City, Taiwan JueDai Taipei International Dance Festival, ProArteDanza in Canada, Seoul International Dance Festival in TANK, Lebanon International Dance Festival, World Congress of Dance Research in Greece, Battery Dance Festival, Palm Desert Choreography Festival, American Dance Guild Festival, Lindenwood University, Cleveland Dance Festival, Richmond Dance Festival, Milwaukee Fringe Festival, Midwest Regional Alternative Dance Festival, Chicago International Dance Forum, Detroit Dance City Festival, Boston Contemporary Dance Festival, Orlando Contemporary Dance Choreography Festival, Oklahoma International Dance Festival, CrossCurrent Asian American Dance Festival, and Movement Research at the Judson Church.  

Elaine Kudo raised in New York City, received her early ballet training at the Metropolitan Opera Ballet School, later spent six years at the School of American Ballet and was a scholarship student at the American Ballet Theatre School.

Ms. Kudo was a member of American Ballet Theatre from 1975 – 1989 was promoted to soloist in 1981. She danced soloist and principal roles in a wide range of works mostly in the contemporary repertory. She has had the honor of working with choreographers Anthony Tudor, Jerome Robbins, Glen Tetley, Merce Cunningham, Paul Taylor, Eugene Loring and Sir. Kenneth MacMillan on featured roles in their ballets, and has had roles created for her by Twyla Tharp, Lynn Taylor-Corbett, Chu San Gogh, and David Gordon.

In 1982 Ms. Kudo along with other members of ABT performed at the Spoleto Festival in Italy in a group assembled to recreate the Jerome Robbins Company Ballet USA. She also toured extensively during the summer seasons as a member of Baryshnikov & Co. from 1983 – 1986, and was Mr. Baryshnikov’s partner in “Sinatra Suite” and “Push Comes to Shove” in the PBS Great Performances special “Baryshnikov by Tharp”. In 1987 – 88 she joined the Tharp Dance Co. for a national tour and tour of Australia and New Zealand.

Directly after her retirement from the stage in 1990 Ms, Kudo began staging the works of Twyla Tharp, both nationally and abroad, with eight pieces in rotation, she continues to be one of the primary stagers of Tharp repertory.

Ms. Kudo assumed the position of ballet master for the New Jersey Ballet 1994-97 & American Repertory Ballet 1997-2003. Most recently the Washington Ballet from 2011 – 2020.

She with partner Buddy Balough founded and directed Theatre Arts Dance America – located in Verona NJ.  from 1997 through 20I0. In addition to teaching at TADA 

 Ms. Kudo has served on the faculty of the American Ballet Theatre summer intensive program from 1998 – 2003, Ballet Tech, Jacob’s Pillow – Contemporary Traditions in July 2007 as well as guest teacher at Princeton Ballet School and Steps on Broadway in 2011.

Ms. Kudo was given her first opportunity to choreograph at the New Jersey Ballet in 1997. That piece was later staged at the Carolina Ballet for its inaugural season in 1999. She choreographed four ballets for the American Repertory Ballet during her tenure as ballet master. One for director Septime Webre, three as part of director Graham Lustigs’, Dancing Through the Ceiling project designed to promote 

women choreographers. In addition to these works for professional companies she has choreographed a number of solos for her students receiving a choreography award from the Youth America Grand Prix. She has also contributed three ballets for the ABT summer intensive program and five pieces for TWB summer intensive as well as numerous pieces and a Pas de Duex for Theatre Arts Dance America.

Caili Quan is a New York-based choreographer who danced with BalletX from 2013 to 2020. She has created works for BalletX, The Juilliard School, Nashville Ballet, Owen/Cox Dance Group, Columbia Ballet Collaborative, and Ballet Academy East. She served as an Artistic Partnership Initiative Fellow and a Toulmin Creator at The Center for Ballet and the Arts at NYU. With BalletX she performed new works by Matthew Neenan, Nicolo Fonte, Gabrielle Lamb, Penny Saunders, Trey McIntyre, and danced at Jacob’s Pillow Dance Festival, Vail Dance Festival, Belgrade Dance Festival, and DEMO by Damian Woetzel at the Kennedy Center. Mahålang, a short documentary that wove familial conversations of her Chamorro Filipino upbringing on Guam with scenes from BalletX’s Love Letter, was shown at the Hawai’i International Film Festival, CAAMFest, and the Dance on Camera Festival at Lincoln Center. Caili is a Creative Associate at The Juilliard School.